Umbrellas on Spadina

12x12 Oil on Canvas

Trying to achieve harmony in my paintings, I have been using a limited palette and focusing on values. With this painting, I still kept a limited palette but changed to Ultramarine blue, Ivory black, Transparent Oxide Red, Viridain, Cadmium Red, Yellow ochre, cadmium yellow medium, and titanium white. I also wanted to keep it loose, so kept my painting time to three hours.

These fabulous umbrellas and their owners are waiting to cross Spadina on a rainy day in Toronto. 

Spring Meadow-Pleinair

8x10 oil on canvas panel

It is such a great time of year, I decided that I had to get outside to paint. I'm still a bit shy to paint in town or in the city, but with practice, I will get there.

I really enjoy reading Richard Schmid's early book from the seventies called "Richard Schmid Paints Landscapes". This book is difficult to find, and if you find it, it will cost anywhere from $140.00 to $250.00. The copies have even disappeared from our local library. He has such a great no nonsense attitude toward painting. I love his comment on using photography:

"...photography, like wine, must be used with descretion lest it become a crutch. There is no substitutefor working from life and I would discourage anyone from using photos until he has first put in years of painting from life." 

I do most of my work from photographs, but when time permits, I'm hoping to get outside more often.

This little scene is from a path off York Road, outside Dundas.

Toronto Spring

12x20 Oil on Board

What can I say.Its spring and a glorious time of year.

These Victorians are near College Street in Toronto.

College and Spadina

24x24 oil on canvas

I was tempted to call this painting "Yellow Slicker". I liked the bright yellow of this cyclists rain gear and how it accented the painting so nicely.This is a very busy corner where College Street meets Spadina in Toronto. Lots of streetcars, tracks, traffic and people. I went for a more traditional scene in this painting and liked the dark reflections created by the trees.

I kept to a limited palette of ivory black, viridian green, yellow ochre, cadmium red and titanium with the smallest touch of dioxinine purple to add some blue to the distant buildings.

Waiting for a Streetcar, Dundas and Spadina, Toronto

8x8 oil on gallery wrap canvas SOLD

A young woman waits for a Streetcar on Spadina on a rainy day in Toronto.

$135.00 plus delivery

Toronto's Chinatown, Dundas and Huron

24x24 oil on canvas

 The variety of colors and strong reflections are what drew me to this scene. It was these components that made it very difficult. To try to achieve some harmony, I decided to try the limited palette on a larger scale. I used viridian, cad red, yellow ochre, ivory black, titanium white. I cheated a little at the end and added a couple of touches of phthalocyanine green, perfect for street lights and a couple dabs on the brightly lit sign in the background. The whole scene came out quite cool in color, but it does reflect the feel of the day.

This scene is in Toronto's Chinatown on Dundas Street approaching Huron.

Huron and Dundas, Toronto

12x12 oil on canvas

There were lots of rich colors in this area of Dundas Street in Toronto's Chinatown. The challenge here was to maintain the values and the sense of the scene without focusing on all the lovely details which must be merely "suggested".

Richard Schmid's book "The Lanscapes" has finally arrived in the mail. What a treasure.

Rainy Day in Chinatown, Toronto

12x12 oil on stretched  canvas

Whenever I looked at the painting from the previous post, I felt cold and wet. (My intention but still uncomfortable) I wanted something with a little more warmth to it, so I chose a scene that demanded  more color, although I still kept most colors subdued.

This scene is on Spadina near Dundas Street in Toronto's Chinatown. The lights from the stores just glistened on this rainy day.

Stormy Day, Dundas and Spadina

18x18 Oil on Board

I'm still using a limited palette to enhance the greys and moody atmospheric conditions that I'm trying to portray. I liked the Ivory Black, viridian, cadmium red, yellow ochre, titanium white that I used in a previous painting. When I took this photo, it was pretty much a squally day with drenching downpours...just the kind of day that I like. Spadina is a wonderfully busy and eclectic street. It is home to Toronto's Chinatown and close to the Kensington market.
Two streetcars stop at Spadina and Dundas Streets in Toronto Ontario.

Toronto Streetcar and Snow Storm, Queen and University

                                                          

11x14 oil on canvas SOLD

I'm getting ready to do a much larger version of this scene, so I decided to paint it again a little larger, making a few changes along the way. I added more color and a bit more detail. Its always difficult to know how far to go with color and detail, and of course the only way to find out how it looks is to paint it.

Toronto Streetcar, Snow on Queen

8x10 oil on stretched canvas SOLD

The atmospheres and scenes that I choose to paint require the use of gray tones. I have been creating grays using different mixes. For this painting I used ultramarine blue mixed with transparent iron oxide for the main color scheme, and added white, cadmium red, and yellow ochre for highlights.

I purchased James Gurney's book "Color and Light". There is so much info in it, it is mind boggling. In his section on Grays and Neutrals he says "Grays or neutrals are the opposite of intense colors. We sometimes associate grays with blandness or dullness, but they are actually an artist's best friend. More paintings fail because of too much intense color rather than too much gray,"

Passengers board a Toronto streetcar on this blizzardy day.

Spadina and College Rain, Toronto

6x6 oil on board

Spadina is a street full of eclectic stores, wonderful colors, lots of activity, and home to Toronto's Chinatown. This view features the corner of College and Spadina during a downpour in the fall. I am continuing to experiment with color palettes and in this picture I used Viridian, Ivory Black and white for the main background and added cadmium red, yellow ochre, and cadmium yellow as highlights.

 

After my show in July of this year, I chose to devote my time to family responsibilites and my art was set aside. It was an all encompassing path which didn't allow time to pick up a brush along the way, but it was a path that I needed and wanted to take. My beautiful wonderful mother passed away Nov. 20 after a difficult illness. I will cherish every moment I spent with her.

Toronto Outdoor Art Exhibition

I will be at the Toronto Outdoor Art Exhibition this weekend in Booth 262 (white section near the cafe at City Hall.) Please stop by if you are in the area. I would love to meet you.

I have been busy with framing and finishing up some larger pieces, but I will be back with some new postings next week after the show. I'm also looking forward to visiting my fellow bloggers  to see all the work I have missed during the last two weeks.

Heading Home, Union Station, Toronto

24x24 oil on canvas Sold

This is another scene that I was hoping to get finished for the upcoming show. I don't think working under pressure helps creativity. All it does is create stress, but nonetheless, I am still enjoying the intense painting time. I hope to get back to some regular posting after the show.

I did this scene in a 12x12 a while back and wanted to do it on a larger scale. I hoped to keep the main structure of the scene and not work on too many details. When going up in size, its easy to start focusing on details rather than the shapes.

"Suits" head for the Go Train after a day at the office.

Bay Street Rain, Toronto

24x24 oil on canvasSold

There is nothing like an upcoming show to get one motivated. There was a time when I came into the studio, checked mine and other blogs, and procarastinated a "little". Now I come in, pick up a brush, and get going. I have to say that I really enjoy the momentum and the production, even though it is sometimes exhausting. 

I did a similar scene to this a while back, but wanted to revisit it in a square format. My focus this time was the streetcar tracks and cables. I think it is a little darker and drearier, reflecting our weather for the past week.

If you are in Toronto for the Toronto Outdoor Art Exhibiation, visit me at booth 262.

FAV 15% in the May Boldbrush competition

12x12 oil on canvas

I am pleased that my painting "Movie Night at the Westdale Theatre" was voted into the FAV 15% in the May Boldbrush painting competition. You can view the FAV 15% paintings HERE.

6x6 oil on board

Here is another Toronto Streetcar using the Zorn palette with the addition of Viridian for some highlights. I like the misty rainy look that is possible with the limited palette. I also tried to incorporate more palette knife work and thicker paint. I often use a palette knife on certain areas of my work, but would like to incorporate it a bit more. For some great videos on painting with a palette knife, visit Tom Browns blog. He has several videos where he paints on a small scale using the palette knife only. You can visit his blog HERE

Taxis On Yonge Street, Toronto

30x40 oil on gallery wrap canvas Sold

I previously did this scene 8x10 in acrylic (view it here) to get a sense of what it might look like on a larger scale. An obvious lesson I learned, is that you have to PAINT it on a LARGE scale if you want to know how it will look. There really are no shortcuts. And then I ask myself why I am doing this,(as I am covered in head to toe paint and the studio is a complete mess) and the answer is "because I have to" and also because the image is kind of fun and funky.

When painting on a large scale, I found it difficult to maintain the value study I did. The details try to sneak in. I had to repaint the middle and far distances three times.

This is Yonge Street in Toronto with the signature Taxicab colors dominating the foreground.

Toronto Streetcar 2

12x12 oil on gallery wrap canvas Sold

I've been spending a lot of time getting paintings ready to take to the TOAE in early July. Varnishing, signing (I have a very bad habit of not signing them until I think they are done, and then I forget). I am also painting the sides of the gallery wrap canvas...a lot of work.
There are  a few more pictures that I want to paint to take. I did a smaller version of this one, and would like to do a large (24x24) but decided to try the 12x12 first.

I used a version of the Zorn palette here, but added some viridian for a few highlights. I may do another 12x12 with a more extensive palette to decide which one to use for the 24x24.

Toronto's Painted Ladies

6x6 oil on panel sold

The other day the forcast was for rain and more rain, so I grabbed my camera gear and headed into Toronto hoping to get some nice rainy shots of the Kensington Market area. As the train was pulling into the station, the rain stopped and I was left with a boring gray cloud cover. I decided to head over to the Kensington Market area anyway, took in the Art Gallery of Ontario (more on that later) and then wandered around the streets between the University of Toronto, Kensington Market and  Dundas Street. There are some wonderful Victorians here, some in a state of desrepair, some fixed up nicely, and many of them painted in  unique colors. They are surrounded by fences, gates, and overgrown gardens. As I wandered around, the sun would peak out every now and then, and shine through the many lush chestnut trees that lined the streets. I'll get that rain another day.

6x6 oil on canvassold

Just For Laughs, Yonge Street, Toronto

24x24 oil on canvas Sold

Thanks everyone for your great comments regarding realism vs impressionism. Reading through them, I realize that I am a little "uptight" in my approach to painting and need to relax a little and not worry so much about a distinct style. There were some thoughtful comments about letting the subject decide, and also to possibly incorporate both styles. A quick read through them will reveal some choice tidbits of  insight well worth taking to heart.

I will be exhibiting at the Toronto Outdoor Art Exhibition again this year and if you are in the area July 8,9,10 you can find me at Booth 262.

The banners advertising the "Just For Laughs" show influenced my title choice for this painting of Yonge Street in Toronto. The Hard Rock Cafe is visible under the Expedia sign.